Showing posts with label art journal. Show all posts
Showing posts with label art journal. Show all posts

Friday, 13 October 2017

Art Haul: Well, it has been like a whole week since the last one, right?!



This is part of my "must have full set syndrome" kicking in - I decided to get the rest - or near as damn it - of the Dina Wakley Media acrylic paints from Ranger. I already have bought two batches - my first was Night, Blackberry and Rosy (I had not realised the latter was a metallic) and then I expanded into some primaries and more secondaries with Lemon, Lime, Tangerine, Sky, Blushing and Umber. After the haul below, the only ones I don't now have are Gilt, Penny and Medieval - three metallics - I may or may not get them as I honestly seldom use metallic paints but who knows. I've stuck to the 1 fl. oz. (c. 60mL) bottles because they're very economical and have a fine-tip on them already, and above all, they're SMALL. I like to be able to keep all of my Dina Wakley Media Paints in the largest of my Dina Wakley Media storage bags - they're always to-hand and I can move them to other locations really easily. I did um-and-ah over the Black and White - I have a LOT of black gesso, white gesso, black acrylic, white acrylic - I don't really need them. That said, for monoprinting and a lot of other techniques, having paints of the same consistency is really important and it would save me a lot of hassle having to thin CRYLA down with GAC-100 every time I wanted a runnier paint. Dina's paints are quite stiff but they're not true Heavy Body paints like CRYLA that have the consistency of clay and huge pigment loads.

The Dylusions inks are the 4 of the current release (Aug 2017) that I don't already have - I've had Vanilla Custard and Rose Quartz for about a month, and I have Laidback Lilac and Mushy Peas already in the acrylic paints, but I wanted to get the others as I love these muted, more pastel-y shades when used dilute but as you can see from the swatches down below (which I paint with one of Dina's brushes), they're SO striking when laid on thick! The Dylusions paper is designed to resist the dyes so they blot off and leave a lovely even, vivid and bright effect. If you use watercolour paper (which is what I swatch onto) such as the stuff in Dina's Media Journal, you get AMAZING intense effects! 

All of the items in this haul are from Art From The Heart (Dyan Reaveley's business in Harrogate, North Yorkshire) - superprompt service and always a pleasure to deal with. Plus what's not to love when you get a package like this one?







Ranger Dina Wakley Media Acrylic Paints in:
   Cheddar [BUY NOW: USA, UK]
   Elephant [BUY NOW: USA, UK]
   Evergreen [BUY NOW: USA, UK]
   Fuchsia [BUY NOW: USA, UK]
   Lapis [BUY NOW: USA, UK]
   Magenta [BUY NOW: USA, UK]
   Ruby [BUY NOW: USA, UK]
   Turquoise [BUY NOW: USA, UK]
   White [BUY NOW: USA, UK]
   Black [BUY NOW: USA, UK]
   Ocean [BUY NOW: USA, UK]
   Ancient [BUY NOW: USA, UK]
   Sterling [BUY NOW: USA, UK]

For those of you in the USA, you can get 6 tube sets of the 2016 colour release or the metallic paints for just $36, which is a pretty good deal - but sadly doesn't ship to the UK - in the 2016 set, you get Blushing, Evergreen, Cheddar, Fuchsia, Elephant and Ocean, and in the 2017 set you get Rosy, Medieval, Ancient, Gilt, Penny and Sterling. These may be a good way to stash-build economically? It's about a 30% discount for each set.





Ranger Dylusions Ink Sprays in:
   Mushy Peas [BUY NOW: USA, UK]
   Laidback Lilac [BUY NOW: USA, UK]
   Periwinkle Blue [BUY NOW: USA, UK]
   Peony Blush [BUY NOW: USA, UK]



Again, for those of you in the USA, you can get the corresponding 6 Dylusions acrylic paints for $30 right now, which is about 25% off - well worth it, they're great colours! 




Saturday, 30 September 2017

Meanwhile in Maine...

I just wanted to point you all to this video from my YouTube friend Mrs Weirich aka Lindsay The Frugal Crafter - not only is it a beautiful layout of a mermaid and some jellyfish, it's also a fantastic narrative of the reality of art journalling - we're not really all Vicky Papaioannou lol! I adore Vicky's work and aspire to it. The vivid colours of this piece of Mrs W's though are just amazing. Brilliant use of a vibrant pink with a teal (pretty much a complement thereof) - so alive and so much light. Wow.




Thursday, 28 September 2017

Dylusions Journal: My Love And I In A Small Cafe (Part II) - working towards the foreground



I posted recently a gessoed paper that I then used Dina Wakley Media acrylics and mica sprays from Ranger on - and I was loving the colours. I've since attached it into my Dylusions main Large Creative Journal that I used for just random things. As I've just obtained the Dina Wakley Media Circle Patterns stamps I couldn't resist adding some foreground to that background!

WHAT I USED:



"My love and I in a small cafe" acrylic on gessoed paper background previously prepared.

Ranger Wendy Vecchi Archival Inks in:
   Buttercup [BUY NOW: USA, UK]
   Cactus Flower [BUY NOW: USA, UK]

Ranger Dina Wakley Media Circle Patterns Stamps [BUY NOW: USA, UK]

WHAT I DID:
STEP 1: I selected the stamp that looks like a pen outlining a circle, as I want to put a similar motif in acrylic paint as the focal point at a later date.

STEP 2: I applied some stamps without a block down the righthand edge of the page, using Buttercup - Archival Ink goes on so well over acrylic that it's a great ink for this kind of project!

STEP 3: I then did the same using the delicious Cactus Flower - it reminds me so much of the Schlumbergera truncata Lem. (Christmas cactus) that my late Grandmother had and the beautiful magenta-violet flowers that seemed magical to me when I was a little boy and we went to visit her - the colour has stayed with me and after all these years - that vibrant colour standing out from the north-Bristol council estate browns and greys that I could see out of the window where the cactus was kept. I love this colour! I added a bit more of this colour in other areas on the page just to help join the foreground and the background a little more. There will be a focal point coming up in Part III! I've shown some close-ups below where you can see the 'fire' from the blue and red mica sprays and how cool it all looks!





Monday, 25 September 2017

Large Dylusions Journal: My Love And I, In A Small Cafe - acrylic on paper background




I was not feeling very good on Sunday and I wanted a nice, relaxing project that would not take too long and that would take me out of my comfort zone. I decided to make a background very, very loosely inspired by a video of Dina Wakley that I saw on YouTube ages ago making a wet-into-wet acrylic background. As I was working in my Dina Wakley Media Journal, I decided to use my Large Dylusions Creative Journal...but I knew the gesso for this technique would take ages to dry and I wanted to do another layout, so I used the Dylusions Journal Insert Sheets I obtained a few weeks ago in one of my absurd number of art hauls. I started out with the same three Dina Wakley paints I've been using for ages, and one of my regular 3/4" cheap golden taklon brushes - but after the overnight cure, my beautiful Dina Wakley Media Short Handled Brushes arrived, so I used the 3/4" one to finish this off.

As for the title of the background "My Love And I, In A Small Cafe"? It's a line from the 1957 Patsy Cline song "Three Cigarettes In An Ashtray", and it refers to the three stepped vertical lines in this background.




"My Love and I, in a Small Cafe" - acrylic and mica on gessoed cardstock (NB: this is just a background, not a finished layout)

WHAT I USED:

Ranger Dylusions Journal Insert Sheets (Large) [BUY NOW: USA, UK]
(I used one of the mixed-media cream pages from this pack - you could just work direct in the Dylusions Creative Journal (Large) [BUY NOW: USA, UK], obviously, which is the exact same paper)

Prima Finnabair Art Basics Clear Gesso [BUY NOW: USA, UK]

Ranger Dina Wakley Media Heavy Body Acrylics in:
   Night [BUY NOW: USA, UK]
   Blackberry [BUY NOW: USA, UK]
   Rosy [BUY NOW: USA, UK]

Ranger Dina Wakley Media Mica Sprays in:
   Ruby
   Lapis
(these are from a pack of three - you can't get them individually - but they're quite economical and last ages [BUY NOW: USA, UK])

3/4" Golden Taklon soft-bristled brush
(this was just a really cheap one - I really don't spend money on acrylic brushes for crafting as for fluid acrylics, it really doesn't matter!)

Derwent Spritzer [BUY NOW: USA, UK]
(obviously you can use any mister but I really like this one as it's economical and has a decent volume, maybe 20 mL)

Palette knife

Ranger Dina Wakley Short-Handled Brushes in:
   3/4" flat
(this comes from a set of 4 brushes [BUY NOW: USA, UK] and arrived part way through the project so I decided to use them)

Container of water

WHAT I DID:



STEP 1: I deliberately worked with the paper landscape and such that the spine of the journal would be at the top once stuck in. I painted the majority of the surface in gesso, but leaving some gaps around the edge. I left it for 10 minutes until it had started to thicken and dry, and then spread on a relatively thin layer with a palette knife, just thick enough to have some texture - I made sure this didn't go all the way to the edge of the painted gesso so that I basically have three "tiers" - paper, painted gesso, impasto gesso. I then left it for about 12h to dry completely.





STEP 2: I spritzed the paper with water and then added a decent blob of Blackberry and made a few bold strokes with my soft golden taklon brush - I tried to vary the texture and ensure there were thick parts, thin parts and impasto parts (aka really thick parts). The paint bleeds beautifully into the wet paper. I also ensured I covered all three "tiers" with some paint.



STEP 3: I added some Night at the bottom (so the outside edge of the page once in the journal), and spread it to make a thick and dense area, and made some strokes from it around the page.



STEP 4: I then did the same with some Rosy, concentrating on keeping it thin as it's more impressive that way, and then worked pretty fast to try and get the next stage done before anything began to dry at all.



STEP 5: Working from the opposite diagonal corners, I sprayed on 2 blasts of each the Lapis and the Ruby mica sprays - one colour from each corner, so that in the middle of the page they made a colour purple effect. The mica hitting the wet paint did make some interesting effects, kind of like when you put salt into watercolour. I then left it to dry for 24h.





STEP 6: At this point, I moved to my Dina Wakley Short Handled 3/4" Brush, and applied 3 blobs of Rosy about 25% in from the righthand edge of the landscape page and worked each one to make a 3/4" wide stripe from that point to 3 different lengths - one almost to the end of the page and the others in between - I wasn't aiming for precision at all. Et voilΓ ! I won't use it for over 24h, and I will re-attach it to the journal before I start adding some collage elements.



Sunday, 24 September 2017

Media Journal: Lemon and Lime, Dancing Time background and Screw The Crowd tag/tip-in





Two for the price of one today - a background and a tip-in to sit in front of it! It will be taped into the journal spine so it sits in front of the green background but it not attached over it, more like an extra page.

A month ago now, I made this background in my Dina Wakley Media Journal using a couple of fluid acrylics and stamped all over it with one of Dyan Reavely's beautiful couture stamps, but I've not done anything with it since - as you can see in my photos, the very middle stamp on the page is much darker and I was going to colour that one in with India ink or something once the paint had cured but I never got round to doing it. This afternoon, I wanted to do a little, quick project, and I made a little tag and was going to stick it over that background, but I've opted to stick it into the spine of the journal instead, like an extra mini-page. I'm fairly sure a "tip-in" has to go on the outside edge of the page (help, anyone?!) so I don't know what to call it! I'll go through how I made the background first too, since both techniques are so simple and quick.

The tip-in dress stamp really reminded me so much of the Dior New Look and in particular the costumes that Claire wears in Season 2 of Outlander, which were also interpreted as 18th Century versions of the New Look too, in amazing colours. Season 3 has just started a few weeks ago and it's amazing - if you've not seen Outlander but love any of the following, I think you'll love it too - it is helping me to cope without Game of Thrones at the moment:
  • Fantasy adventure but in the realms of the real world - so time travel in this case.
  • Historical adventure and drama.
  • Men wearing kilts.
  • Men not wearing kilts.
  • Men not wearing anything at all.
  • Just Google "Sam Heughan Outlander"... go on...
  • Realistic portrayal of battles, sex, life in general etc.
  • Fantastic theme tune.
For UK users, if you want to watch Outlander, you'll need to be an Amazon Prime account holder and an Amazon TV user, which is easy as most recent TVs have an app, but if not, you can either buy a dongle, or, of course, you can watch it via the Amazon website. If you want to try an Amazon Prime account, you can get a FREE 30 day trial right now, which is enough to watch Seasons 1 and 2 at least! For the sake of completeness, you can also get the books too.

For US users, if you want to watch Outlander, you'll need to use a Starz account, for which you can get a free trial of the Amazon Channels programme. You can also get an Amazon TV dongle. If you want to read the books instead, click here.

Because of the green-based background, the dress I made obviously had to be a shade of red or pink, so that it would really stand out - and one of Claire's most notorious Season 2 dresses whilst in 18th century France was a vibrant shade of red, but I chose to use an almost violent shade of pink with red accessories. In a way, of course, Claire is never one of the crowd, but you'll have to watch the show to find out why!

Lemon and Lime Dancing Time Background (acrylic on paper)




WHAT I USED:

Dina Wakley Media Journal [BUY NOW: USA, UK]
(I used one of the righthand "watercolour" paper pages)

Daler and Rowney Simply Acrylic Gesso (White) [BUY NOW: UK - I can't find this in the USA but you can use this awesome alternative instead]

DecoArt Fluid Acrylics in:
   Yellow Green Light [BUY NOW: USA, UK]
   (PG36 Phthalocyanine Green Yellow Shade, PY83 Diarlylide Yellow HR, PW6 Titanium White) 
   Hansa Yellow Light [BUY NOW: USA, UK]
   (PY3 Hansa Yellow 10G) 

Ranger Dylusions Couture Collection silicone stamp set [DISCONTINUED]
(this set and the rest of the couture collection were discontinued a few years back but keep an eye out for them - you could alternatively use the larger stamps this set was based on, if you can find them, which were Walk In The Park [BUY NOW: USA, UK] and Night At The Opera [BUY NOW: USA, UK]. For this background, I used the dress from the latter in its mini version from the Collection set, which I will call the "Opera Frock" for clarity)

Ranger Archival Ink in:
   Leaf Green (Wendy Vecchi Collection) [BUY NOW: USA, UK]
   Vivid Chartreuse [BUY NOW: USA, UK]

3/4" Golden Talkon paint brush with soft bristles, suitable for acrylic paint
(any really cheap golden taklon set of brushes will have one of these in it - they're very inexpensive!)

DoCrafts PaperMania 5" by 7" acrylic stamping block [BUY NOW: USA, UK]

WHAT I DID:




STEP 1: I covered the page entirely in white gesso and left it to dry fully, overnight. I applied it with a damp brush as 2 thin coats, the second applied after about 20 minutes when the first coat had just gone a bit tacky.

STEP 2: I used the same brush (washed of course and a little damp!) to apply the paints. I applied the yellow first and then added the green on top - I only used up-down brushstrokes to get a nice vibrant blend and was careful not to let the colours mix too much!

STEP 3: Once the paints had cured for 24h, I stamped the Opera Frock onto the page first in Leaf Green and then in Vivid Chartreuse, making a kind of grid pattern of alternating colours - down at the bottom and along one edge, you have incomplete stamps but that's normal.


Screw The Crowd Tag/Tip-In (ink on paper)

WHAT I USED:

Ranger Dylusions Size 10 Journalling Tag [BUY NOW: USA, UK]

Ranger Archival Ink in:
   Shadow Grey [BUY NOW: USA, UK]

Tonic Studios Tim Holtz Stamping Platform [BUY NOW: USA, UK]
(NB: I didn't use this - I used another common tool on the market, but I cannot recommend it as I've heard awful stories of both shop owners trying to get damaged stock sorted out and customers too, and of pretty nasty, bullying tactics from the owner thereof - as such, I won't recommend it, and will recommend the superior product above, that has a nicer price point!)

Ranger Dylusions Couture Collection silicone stamp set [BUY NOW: USA, UK]
(this set and the rest of the couture collection were discontinued a few years back but keep an eye out for them - you could alternatively use the larger stamps this set was based on, if you can find them, which were Walk In The Park [BUY NOW: USA, UK] and Night At The Opera [BUY NOW: USA, UK]. For this tag, I used the dress from the former and one of the hats too, in their mini versions from the Collection set, which I will call the "Park Frock" for clarity)

Kuretake ZIG Clean Colour Real Brush Markers in:
   022 Carmine Red
   025 Pink
   071 Flesh Colour
(I got these from the ZIG Clean Colour Real Brush Markers 24 Pack BUY NOW: USA, UK])

Winsor and Newton Series 7 Kolinsky Sable Size 0 Round Ranger [BUY NOW: USA, UK]
(this is the brush I used, but it ain't cheap - as you probably know, I'm really a fine-art watercolourist so I don't have many inexpensive brushes - but do try the Prolene Plus Size 0 Round as an excellent high-quality-low-price alternative - you can get with a set of other beautiful Prolene Plus brushes too for very economical price - BUY NOW USA, UK)

Ranger Dylusions Paint Pens in:
   Postbox Red
   Cut Grass
(these don't come in open stock, so you'll need to get the 6-pack of Dylusions Paint Pens [BUY NOW: USA, UK] to get them - they're SO cool!)

Container of water

WHAT I DID:





STEP 1: I stamped both the Park Frock and one of the hats onto a Dylusions tag using my stamping tool to get a good impression - Shadow Grey is lovely and light and works well for this kind of technique.




STEP 2: I decided to colour the frock Pink and so worked in small sections, applying the watercolour ink from the pen along whichever edges would be darkest and then used my wet brush to blend it out and soften it. I worked across the skirt first and made the 'under' sections darkest. I then did the bodice and made the sleeves quite pale.




STEP 3: Whilst the frock dried, I did the same on the hat, this time using Carmine Red. I did the shoes in Carmine Red also, and once the frock was dry too, the belt.

STEP 4: The legs of this image are just single lines, so I added a narrow cone in Flesh Colour that you can hardly see to be honest on the cream tag - doing this added a 'leg' and made the original grey line into the seams on her stockings.




STEP 5: Using the Dylusions Paint Pens I then wrote in a very free and non-conformist way, in Postbox Red (to match the Opera Frock) and Cut Grass (to represent the crowd of Park Frock ladies) my sentiment - why be one of the crowd?



   

Friday, 22 September 2017

Media Journal Layout: Your Dreams Are Valid



This morning just before I left for work I decided to see how the Dina Wakley Media Journal "watercolour" pages took ink - my thoughts were that it would not move and would soak right in, so it would be easy to keep distinct areas of colour from merging too much - but I did realise that if this was the case, it would take a fair bit of ink! This evening when I came back to all beautiful and dry, I decided to keep it simple and just stamp a quote on it and the colours of the background made me think of dreaming for some reason, so I googled quotes about dreaming. I found the perfect quote by Lupita Nyong'o - it struck a chord with me as I'm from very, very poor beginnings and in theory should be working in a factory or a coal mine - those were the career prospects when I was a kid - and not a university academic and a pretty senior one at that, let alone one of the world experts in my area.

So here it is - it's impromptu and pretty quick to make beautiful vivid backgrounds in this way. The "watercolour" stock in the Dina Wakley Media Journal - dare I say it - will give you a far more vibrant and intense, even colour that even the Dylusions stock, but the colours won't blend - they will soak in right where they land and will look beautiful, BUT very intense and you could not make a soft, blended look this way. It did go through to the back of the righthand page but only because I put too much ink on it in the first place. I'd learned that when I inked up the lefthand one and it did not go through at all. 


WHAT I USED:




Ranger Dina Wakley Media Journal (BUY NOW: USA, UK)
(other stocks may work for such vivid looks but honestly I think the "watercolour" pages in this journal are perfect for such vibrant and intense looks).

Ranger Dylusions Ink Sprays in:
   After Midnight (BUY NOW: USA, UK)
   Crushed Grape (BUY NOW: USA, UK)

Ranger Dylusions Mica Spray in:
   Crushed Grape
(this is only available as part of a 3-pack with Bubblegum Pink and Vibrant Turquoise - BUY NOW: USA, UK)

Ranger Dylusions "Dy's Alphabet" stamp set (BUY NOW: USA, UK)

Ranger Dylusions Paint Pens in:
   Black and White Set (BUY NOW: USA, UK)
(or you could use a stylus or similar and some of the ink used in the stamping steps)

Tsukineko Brilliance pigment ink:
   BD-80 Moonlight White (BUY NOW - fullsize: USA, UK; dewdrop mini ink pad: USA, UK)
(any white pigment ink will do but I like Brilliance because it's fast drying - most pigment inks are not - and it won't suck-up the colour from the ink sprays quite as much as Distress Picket Fence does. I could have stamped this ink Tsukineko VersaMark Ink (BUY NOW: USA, UK) and gone over it with Ranger White Embossing Powder (BUY NOW: USA, UK) for a more intense and clean look, or used Tsukineko VersaMark Dazzle in Frost (BUY NOW: USA, UK) and not used embossing powder, which would have given me gossamer-like blue mica letters that only show up from the right angle - that would have looked awesome!)

Plaid FolkArt Distressed Stars Stencil (I can't find this online in the UK, but this Tim Holtz Stars stencil is similar)

Tim Holtz Idea-ology "Emporium" Ephemera Pack (BUY NOW: USA, UK)
(from this pack, I used a small envelope and a small card that would fit therein - and I have pictured them below, if you want to copy them - but you could use any small envelope and card, or even omit them completely as I was only using it to hide a mistake really, but I thought the idea was cute and kept it in the explanation!)

Prima Finnabair Art Basics Clear Gesso (BUY NOW: USA, UK)
(you could also use Ranger Tim Holtz Distress Collage Medium (Matte, BUY NOW: USA, UK), which would have been my first choice and to be entirely honest - it was out of my reach and the gesso was right in front of me so I used that!)

3/4" Golden Taklon paintbrush suitable for acrylic paint
(they are very inexpensive and have soft bristles, are made by a lot of companies and come in backs of 10-40 different brushes for very low prices and they last years if looked after)

Acrylic stamping block

Cosmetic Sponge Wedge

WHAT I DID:



STEP 1: First I sprayed each page, separately, with the two Dylusions ink sprays - as you cannot press the pages together and transfer the ink, you will have to use a lot more ink than normal and it won't puddle or spread out but the results are amazing. I recommend you don't work on the back of any other work when doing this, and protect adjacent pages with acetate sheets or cut-flush folders. This will need 6h or so to dry in a relatively humid, cool environment like the UK - it needs longer than you'd expect and you must leave it much longer than when it feels dry as the interior of the paper is still drenched.




STEP 2: I like to stamp not more than 5 letters at a time, and I love this alphabet set because the letters are all different heights so it doesn't matter if you don't stamp perfectly. The quote I used was "It doesn't matter where you're from, your dreams are valid" - this stamp set doesn't have punctuation but it's easy to add that back later. Unfortunately, I got ahead of myself and went to re-stamp the first "you're" without the "e" to make "your" and forgot, so I ended up with an "e" I had to get rid of - but that ended up giving me a cool idea! Don't forget to wash the stamps immediately, and by the time you've done that, the white text will be nice and dry so you can carry on!




STEP 3: To hide the "e" I took a little envelope and card from the ephemera pack, and used a cosmetic sponge to apply After Midnight ink spray to it, so it would match the page better. I sprayed it with Crushed Grape Mica Spray, so it would have some shimmer and then match both the colours of the background. I stuck it into place over the "e" using the gesso, but you could use collage medium. 




STEP 4: I then used the white paint pen to add in the apostrophes, and an arrow pointing from the word "dreams" to the little envelope. I googled images of Dyan's arrow stencils and tried to get roughly the same kind of look, and hatched it rather than colouring it in, so it would be in-keeping with the letters. I finally wrote Lupita Nyong'o's name and the year she said it (2014) at the bottom of the page.

STEP 5: To bring things together a bit, I used the star stencil and the Brilliance ink pad to directly apply some white stars around the page. That's pretty much it. Even though Brilliance dries fast, I would not close the journal until the next day, just to be safe - pigment inks do stay sticky for longer. As for the little envelope? I'm going to write down some dreams/thoughts and put them in it so that I can look at it in a year and see how I'm getting on.